I don’t believe in phone-mance. You have to squeeze an arm and touch and hand to know anything.
Names matter. They carry feeling. They linger, hitched in memory, barbed with sentiment. Like small songs.
A pause, a reflection into the past, is a moment. It’s a use of the present. Do this sparingly.
You are not a snowflake. You are not special because you exist. You are special because you become special within the time you have, but it barely persists. The grace is only for the present, to make the actual lives, yours and those around you, better or worse. The ripples your life makes through simply being thrown into the pool of time are meaningless. And considering how the future forgets you is nothing more than vanity.
To understand yourself: is that a discovery or a creation?
Someone else said this, but I don’t know who.
“The fear that life remained incomplete, a torso; the awareness of no longer being able to become the one we came to be. That’s how we had finally interpreted the fear of death.” – NTL
Maybe rather than escaping out of the world, like Gauguin, in the modern condition we must escape into the world. Disappear into a town, a community; garrison in Garrison.
People should speak the common tongue.
I’ve been around long enough to know not to trip into something and call it falling.
We grew up at the end of magic.
Can you shelter and still educate about the world?
Evolution: before it helped them fly it helped them jump.
“Even smart people fall prey to an illusion of control over chance events.” – Langer
I say especially smart people.
Now we’re just slaves with perks.
How long before going to be becomes aren’t?
We’re all celestial bodies. Bits of matter that put off heat. We’re all stars.
Don’t make presumptions about the safety of ordinary things.
Things sometimes come easy, but they rarely keep easy.
Back then, you could be a regional star.
It’s easy to be reminded of things you’re not ready to forget.
You’ll always be reminded of things you’re not ready to forget.
I don’t know which one I like better.
Sometimes (I feel like) I chase plastic idols around the grounds of an unlocked prison.
Cheetos have “vanishing caloric density.” It’s what it means when it “melts in your mouth.” Vanishing caloric density.
The myth of the genius: there is always an averaging.
People think freedom is doing what they want. It’s not. Really.
It’s control.

Roosevelt Island.
What you don’t realize is that you have so much currency in the economy of popularity that you can buy anyone in.
I sometimes feel like I wasted my life by living it.
If you’re going to fail, fail on your own terms, not in the shadow of some lie.
Me: Do you like it?
Other: It’s me. I love it.
The job: selling individuals to masses.
I don’t understand why this exists.
It’s such an odd roulette, where we lay our roots.
“Never forget, your friends will eat you if they hunger.”
I settle too easily into the comfort of opportunities. Perhaps it’s better to be without them for a time…
If you watch the whole time, you miss out on the best parts of the story.
I’m bored of all the right things.
In the burnt streets of Havana
behind the peeling pastel columns
shrugging under the weight of patched, hot tar roofs baking in the island sun
are the pits where they pit the birds against each other.
Behind the porches, once lavish
are the ramshackle bleachers where they watch
in torn old cotton and brown skin
the frenzied fowls fight
to death. For life.
Behind the rotted infirm doors, and through the dim dusty halls
are the calls for violence, the screams of hope for the right murder.
Behind the bedrooms lit by gap toothed chandeliers
and lonely bulbs, flickering through the shaded afternoon;
behind bathrooms of chipped and broken Chinese porcelain;
behind the balconies built of felled centenarian arbor;
and behind the gap-toothed balustrades
with their delicate carvings, worn indiscernibly into tumorous lumps
are the money lenders and collectors, the betters, and voyuers.
Behind these old mansions
a new people, squatters and opportunists in a craftsman’s world,
wager on a worthless war
between animals who are no real foes.
I wagered my heart on Casual Thunder.
And I lost it,
not because his blood pulsed fleetingly into the brown sands where he lay
but because I bore witness to a senseless death
and did nothing.
When you use what’s there you don’t work for what you need. In the long run, this doesn’t get you what you really want. Sometimes the easy way is the hard way.
Overheard on MacDougal: “It’s like asking a wall how to make fucking bread. That’s what it is.”
I don’t know what this is about, but I really wish I did.
Without implying anything about the relative complexity of my life, it is safe to say that my life would be much less complicated if there was an asteroid hurtling towards earth.
Just because everyone says it doesn’t make it a universal truth.
… brown skirts on strong hips
… kindness that could probably be friendship
… lingering pale yellow pulp crusted and clinging to hastily cleaned steel-ware.
One of the great accomplishments of art is that it sometimes becomes a part of one’s own memories. A part of a personal permanent collection. We can be touched, moved and changed by an otherwise purposeless production. The quiet gift that art can move us to remember.
It takes a village they say. But that’s only where kindness came from.
It took a village to get here. From here we don’t know what it takes.
Often I find that the smaller the event the more it tells me about the person. Everyone wants to be a hero, few people want simply to be good.
The moon opens wide outside,
settling in the sky like a streetlamp.
It hangs over a canopy of undulating clouds,
below.
We coast along the dark, empty boulevard of our night.
The descent has started.
We fall into the treasure box of the lighted city,
bejeweled below,
and bright with early evening hope.
When you make yourself you know yourself. And only then can you fix yourself or love yourself.
She doesn’t need to be fireworks, just a sparkler. She doesn’t need to wow the crowd, just you.
You’ve spent so much time in the shadows
you think the world a dark place.
But something casts those shadows.
Something stands bare, exposed.
A world in the sun.
You’ve been surviving so long in the shadows
you think the world’s a dark place.
And you think you know what it takes to live.
But there are many ways to live.
Things are different in the sun.
All your lessons are learned from the dark.
You haven’t been exposed.
And so you don’t really know
what you could be in the sun.
“As a means of uncovering truth, the experimental method is superior to intuition.” – Vaillant
I didn’t really live today but if I died today I’d leave more behind.
Bordom is a kingdom easily reached.
I wonder today what it feels like to be a migrating animal in a zoo. With the turning of the seasons, do they feel a longing they don’t understand? Some unknown pull, deep inside, left unheeded? Unheedable. A sense that something is supposed to happen. But it doesn’t. It can’t.
In some ways this must be one of the loneliest feelings in the world. The rooted sense that it is time for something, some change that rests known but unknown, felt but without a concrete thought to reason.
Do they, these animals in zoos together, share in empathy over this mysterious condition? Like a colony similarly afflicted.
Of course in other ways we are all in our cages, it’s hardly like we can just go anywhere. It’s all zoos.
The accumulation and protection of great wealth, wealth beyond reasonable use, is a frailty of the human condition. It implicitly reveals an underlying fear that once lost, the fortune may be beyond reach.
Someone once said that most men are in their lives like the carpenter whose work goes so slowly for the dullness of his tools that he has not the time to sharpen them.
The June sun sets stubbornly at this height, “at 35,000 feet” floating east toward home. The cabin lights are low, no smoking and seat belt indicators glow like streetlamps down the rows. Everyone around me is asleep. The awkward posture of airline slumber consistent like a military protocol: mouths open, chins forward.
The setting has a quiet intimacy, a romantic calm. The sun has largely been put down, inaudibly exploding on to morning somewhere far away. The hues of the set mostly absorbed and refracted by the earth leave the sky an inky marine darkness. Another day surrendered to the inexorable invasion of time, aided treacherously by my eastward journey.
An urban dusting of light below reveals fields, streets, dark paths, neighborhoods and thoroughfares. A thousand little theatres, lamped stages. One cannot see people from this height, only possession and control of the land. It is vast in scale; accumulated ownerships like snowflakes blanket like snowfall.
…a pattern for a purpose.
…a theme for a destiny.
The girl next to me speaks a Quebec French. She is thick but small.
Attraction stirs, but is incomplete; not compelling but present.
I want her casually, like dry snacks at a long cocktail party.
The mood word tonight is elevate.
Lifted.
Up.
Am I Icarus?
No.
I don’t think I’m free. Or boundless.
That’s not my delusion.
A simple reprieve.
And I know it.
Unshackled from a watchtowered mind.
That still watches.
Unshackled for good behavior, perhaps.
But not, really.
The mind does no favors.
Its grip eases only as it secures itslef.
Like we share food when we hunger not.
he could build
a paper airplane
which when the wind was right
could settle on the air
like a confident gambler
rumor had it he got one to go fifty yards
the dogs would tire waiting for it to land.
cornerstoned as i round
a bend
in my years
marked by calendars and
lines
on the edges of my eyes
i arrive at a place in space
and time unfamiliar
i hear
the easy chatter of my
youth
back around the bend
but i can no longer
see it
not turned away
but turned around
a corner
in my years
less impressive but stronger
founded perhaps
not floating
cornerstoned
not cornered.
the echo of a dry river trickles
30,000 feet below and to the left
a tan line
worn into a brown valley
mere memories in the land
of a river that ran
I have a subscription to incompetence; it’s just one issue after another.
If you have been under fire for long enough, you start firing into the wind. The sounds of a normal life have to be relearned.
Clams don’t smile
or care
about you.
it’s not indifference
or apathy.
if they had clam hands
they would not hug you.
with clams mouths
they would not talk to you.
At the bottom of the shallow sea
they bed
concerned not of you or me.
cupped by the large earth in displaced sand
they exist for themselves.
you cannot win them over.
you simply don’t matter
to clams.
a frayed edge of a toothbrush
or a rug
tell me i’m truly alive
in case i doubted which
i do, sometimes
it wears on me
time
like my teeth
on brushes
or my feet
on rugs
i am being erased
by moments
and i bristle, but this encourages
my erasure
the present cleansed of me
by time rubbing against me
and time cleaned by me
like teeth by a brush
bright white
as always
while i fray.
because time has an appetite for memories.
Looking the part just gives you more chances to fail. We want things to make sense.
To watch TV is to watch people die. We took the peaceful world we fought for and recreated the violent world we overcame.
do not be influenced by the charms of youth; but do not lose sight of the fact that they are charming.
There is so much to challenge the mind and keep it from task.
… small faces eating seasoned corn.
… old dogs and old owners lonely and left like molted skin by renewed but once-familiar streets.
… the remnant of plantains, sticky and loud in their smell, hardening in a too large bowl.
One cannot predict from hope alone how two people will get along.
collected wisdoms are like bookmarks, often used to keep one from getting lost in the story of one’s life.
dawdle about with concepts
touch, test, tickle, ideas
play
until they smile at you
and show you their teeth
then you know you have them
strike
betray
steal them for your own
and cage.
then
show them to your friends
ha!
look what i have
mastery
command
of a pocket full of thoughts
that i will use
to make you smile
so that i will feel better.
All the structures that shelter the poor are made of straw.
There are two types of surrendering: surrender with and surrender without. It is so hard to know which is the better path. Without calls courage, with whispers compassion. Both demand acceptance, which is the hardest part. But sometimes the struggle simply needs to end.
This isn’t automatic. Like talking. The words aren’t effortless. Is it practice? The permanence derails me, perhaps. The notion that these words are launched irretrievably into “space”. Once fired they wander like wind forever. It’s daunting, because I care. I care about what is permanent in the world. The indelible is the only thing that matters in the end.
Sometimes things get lost in words. There is a presumption that communication is inherently clarifying, we talk to understand. But sometimes the better route is to stay quiet. I’m terrible at this, but I know it’s true.
Today I tossed my iPhone on the couch and a message came up that said, “nothing to undo”. Untrue, iPhone, untrue.
Today I came home early and watched TV. Every afternoon in Sydney they show episodes of Mork and Mindy, Happy Days, and the Brady Bunch one after another. Today I watched all three.
Mork released the full range of his feelings, learning how to manage the complicated landscape of human emotions. In Happy Days, the Fonz realized from his friends that he was fighting too much and learned to control his anger. In the Brady Bunch the youngest son won a bet against the oldest, but learned that managing winning is as important as not losing.
I learned that TV really was different before. In all the episodes the morality was unforced and kind. It was human, not divine, in its source; humorous and not didactic in its delivery; genuine and not artificial in its sentiment.
We’ve lost this these days. On our televisions our kindness is violent and our violence is extreme. To watch TV in the modern world is to watch people die. Mostly anyway.
I don’t know if I can want you to be anything less than what I want you to be.
It is better to control an army than to be a good soldier.
You feel the heat of the sun and you feel it shines harder on you. But it shines always and inexorably in all directions at once. And so it is that the actions of the world are so rarely personal. Even where we are chosen, it is always a byproduct of available choices woven into the moment of election.
my slightness rubs up against the largeness of the world.
Sir Thomas Moore and Diogenes get into a bar fight while talking. Who wins?
Diogenes.
Right, but why?
Vladimir: Did I ever leave you?
Estragon: You let me go.
after plot
i reflect on ideas
i had
about us
you and i
we were going to do
something
we didn’t
i don’t
know what i thought
i don’t
think what i knew
i shrug
i’ll understand later
i assume
like finding the lost keys to a car
long sold
there is nothing to do
and besides
only the sun announces
its intentions
and does exactly that which it promises
i don’t.
seeing inches of time
little spaces
made of a hesitation
reaches
to connect larger spaces
fuse and bind
inch after inch of time
life then is an allotment of inches
circumstances
formed by inches of temporal spans
a sigh
a snort
these are obvious culprits
with red hand the inch is found who snorts
at a funeral
or sighs
at a wedding
but is it not more exciting
and even romantic
to exalt in the more muted inch of moments
a lingering hand
a slow withdrawal from embrace
how we pursue these tiny pieces
these fractions
the two by ones in lego we search for
at the bottom of the bag
blistering, chaffing, scratching our hands
for the glory of the smallest square which
makes a difference
not in use
but in wholeness
they are the sequins comprising the vestment of our sum of days
the pageantry of relative perfection
completion of a life’s work
in a final, solitary knotted thread
after all, we die in an inch of time
only then made whole
people always clap for the wrong things.
you should embrace failure early in life so that you may grow old with dignity.
Investing in a moment’s moment I write. Not expecting much and without destination in mind; a farmer walking his own, untilled land. The paths are not well known, but worn enough to follow. Like the melody of a once heard but largely forgotten song.
The problem with technology is it’s neutrality. It invites all behaviors because it really only augments the abilities of the user. And the user is us. Frail but hopeful, conflicted us.
The afterfun moment’s calm after the special has been memorialized. Tonight has been realized, now release me from the burden of reaction. But, if you can, bring me back. Reinspire tonight. Another time.
I know what’s on the other side of that rainbow, and it’s not a pot of gold. It’s as heavy as one, but that’s not what it is. No fortune for me there.
Physical growth considered upside down as the lengthening of a suspended drop; at last falling into nothing.
… what we hoped.
… the culmination of events beyond our control.
… sufficient.
… how we expected.
… what we should have known they would be.
… what they are.
Achievement keeps me entertained.
I didn’t do it. Like Shea’s parents. I didn’t run back in. I didn’t stop it. I didn’t save it. It is such a complicated map, this life; I have drawn it so large.
Forsake adjectives. Surrender color. Stale the phrases in a typist’s palette.
Actively pursue words, chase them around the corners of sentences, through the rabbitholes of paragraphs and across the chasms of chapters.
Be bold in pulling letters from the void of imagination, from the shelves of like items scattered about the superstore of the mind.
And through an exercise, strengthen and empower a language which begs for no descriptions, that is confident in its nouns, purposeful in the richness of the color of itself.
No more love stories.
“But what do you mean by ‘a return to normal life‘?”
Tarrou smiled. “New films at the picture-houses.”
– Camus, The Plague.
How many mistakes do you have before you’ve made too many. How many chips have been played.
The same range that burns us makes us well done. The burden is on us to manage our exposure and understand our thresholds. Lest we burn, releasing what we had to share, failing at whatever purpose our potential promised, and rendering what we hoped others would consume with glee into an ugliness.
We feel the waste of good meat more than most other wastes. Somehow we see it could have loved, hoped, lived, cried, helped, played, sang and danced.
You opened up a sense of wonder in me. I’ll miss this the most, the grand limitless potential of our wonder.
I’m not sure if you’ll understand all this and I suppose it can’t matter either way. But I just want to remember it a last time before I forget it. Not the words, which are saved, but the feeling. How close we were to the wonder we wanted.
You have carved such a small hole in the blanket of your preconceptions.
Floors above in the urban canopy, I see me in this evening reflection. The cities bright night lights twinkle beyond the glass.
So benign in the day, my window and my beautiful view, but in the evening there I am clear as the image in a mirror. I think of myself over the years, swiveling on an Aeron chair as the clock moves past the twilight hour, when the window closes back on me.
Watching myself age in that reflection, it is not enough.
The shrapnel of exploding love has scarred me.
The human world is built on the frailty of human nature, defended by the good fraction.